Watch out for that change-up
pitch! Switching successfully from quail to doves,
grouse to teal, or pheasant to sporting clays requires a
physical and well as a mental adjustment.
Don't let doubts assail you about
which gun to take, what chokes to use, which size shot is
right or what boots to wear? That's probably less than
10% of the game. So what is the big end of the stick? The
90% sure-thing -- the shooting-and-connecting certainty
-- and the anti-humiliation medication of all
time?
Peter Hathaway Capstick, the dean
of African white hunters -- when white hunters were a
socially acceptable occupational choice -- revealed the
secret this way:
Never, in
more than thirty-five years of shotgunning in all
its forms, have I ever so completely decided on a
concept so important and rewarding to the gunner
than that of using your left side to impart body
impetus and subsequent follow-through to the
"swing," that smooth tracking motion vital to the
idea of putting a pattern of shot on a target.
This is how you make the transition
from going-away targets to long or crossing targets. You
execute this "secret" by fully extending you left arm
until the elbow is locked . If you are shooting a
semi-automatic, your fingers should be on the take-down
knob. Fingers over the end of the forearm on an
over/under. On a side-by-side, cradling the barrels with
your fingers curling up around the barrels as far out as
you can reach. Wear a glove.
Shooting a longer left arm
offers many benefits. Note what happens when you
shoot a long left arm: your torso -- not just your arms
-- is fully involved in the swing. Your arms are up and
away from your sides, making it easy to swing to the left
or right.
Look what else happens: when you
extend your left arm, your cheek is automatically
positioned on the stock. As you know, lifting your head
and playing peeky, peeky with the birds is the second
most common reason for missing. So the long left arm
helps keep your head down on the stock. The most common
reason for missing crossing shots is shooting behind the
bird. The long left arm is what guides this missile in a
long bird, change-of-pace venue.
So now when you are invited out
to play . . . you needn't play a defensive game, or
rely upon the customary excuses. You'll find that using
this long left arm technique will add a new measure of
confidence to your game. If you are shooting clay targets
the long left arm will enable you to not only (1) break
birds easier; but (2) break the largest piece with a
second shot. There's usually little opportunity for
gamesmanship in the field and it's not likely your dog is
going to be overly impressed anyhow. But with clays, you
don't have to break them. Just trying marks you as a
contender. No more "Mr. Nice Guy."
Obviously, shooting the longer left
arm could lead to an extraordinary personality change.
Self-confidence in your ability to meet any shooting
challenge will blossom like the flowers of Spring. Your
successful transition from being the pigeon on long birds
to becoming a hawk-with-a shotgun is now
complete.
Thank you, Peter Hathaway
Capstick.
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